MVB Hotsy Totsy
MVB Hotsy Totsy is Akemi Aoki’s first typeface design. Aoki created the letters in cut paper. Once digitized, the design was expanded to offer several weights and styles. Exaggerating the triangular ...
MVB Gryphius
MVB Gryphius is a digitization of uncommon type from an era normally associated with the work of Nicolas Jenson. Produced by Otto Trace, the fonts come from types used by Sebastian Gryphius in Lyon ...
MVB Greymantle
Kanna Aoki had fairy tales in mind when she designed MVB Greymantle. She drew dots with a felt pen to build up the forms, giving them their particular rough character. The “Extras” font contains a ...
MVB Grenadine
Reminiscent of the hand-lettering found in mid-century children’s books, Akemi Aoki’s MVB Grenadine is a quirky sans, broken free of its geometric roots. Letterforms bounce along the baseline in a ...
MVB Fantabular Sans
MVB Fantabular proves that monospaced faces needn’t be formal or bland. Inspired by the letterforms of older typewriters, Akemi Aoki designed a playful family of three weights with italics. With ...
MVB Fantabular
MVB Fantabular proves that monospaced faces needn’t be formal or bland. Inspired by the letterforms of older typewriters, Akemi Aoki designed a playful family of three weights with italics. With ...
MVB Emmascript
Kanna Aoki drew the letters for MVB Emmascript while on a picnic near the Conservatory of Flowers in San Francisco’s Golden Gate Park. Mark van Bronkhorst adapted the writing as a font that maintains ...
MVB Chanson d’Amour
An old book found at a Paris bouquiniste contained samples of the typeface “Caractère de finance,” a bâtarde design by 18th century typefounder Pierre Simon Fournier. Rather than revive the type, ...
MVB Celestia Antiqua
Mark van Bronkhorst designed MVB Celestia Antiqua at a time when font choice was limited. Design was characterized by overuse of the few fonts that came with laser printers. A rustic typeface, ...
MVB Calliope
Gayle Sato, longtime friend of MVB Fonts, has amazing handwriting. It’s a natural, simple hand, with perfect rhythm. Devoid of flourishes, it doesn’t try to be beautiful. It’s just genuine, quick, ...