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ID , 'foundry' );
if (!empty($terms) && !is_wp_error($terms)) {
foreach ( $terms as $term ) {
$term_link = get_term_link( $term, 'foundry' );
echo "Publisher: " . $term->name . "";
} } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
ID ) ) . ' font" class="img-fluid">'; } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
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ID ) ) . ' font" class="img-fluid">'; } ?>
Teletron Font Family was designed by Michel M. and published by Volcano Type. Teletron contains 8 styles and family package options. The message gets torn apart in between the TV screen and the teleprompter; only two halves result in one new whole thing: A new image, a new text. The idea for the font Teletron is based on the mixture of TV images and subtitles. What happens, when a TV image with a certain cultural background is contrasted with a translation of its spoken elements into a foreign or only slightly different culture? Can a bastard create something new? In how far will the new text penetrate the image; how will the known text be superimposed with a new image?
