Generis Slab

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with ...
The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with ...
Quitador, designed by German designer Arne Freytag (b. 1967), is a constructed Slab Serif typeface family with a humanistic touch especially the Italics. The typeface family has a high x-height, ...
The Demos® Next typeface family is a complete renewal and expansion to Dutch type designer Gerard Unger’s classic from 1975. This enhanced typeface design introduces subtle changes to character ...
Pietra is a Baroque-inspired, all-majuscule type design, based on the massive five-foot tall mosaic lettering high above the floor in St. Peters in Rome. The font includes two sets of capitals: full ...
Cresci is a carefully digitized reproduction of an alphabet of Giovan Francesco Cresci, the pre-eminent Renaissance writing master whose lettering virtuosity presaged the exuberance of the Baroque. ...
Few fonts reach cult status. Despite its ubiquity—and perhaps because of its lack of subtlety—for a hundred years Cooper continues to draw the faithful. It’s even come to define an entire typographic ...
Designed to be set in big, large and huge sizes in classic TNT (tight-not-touching) style, Benguiat Caslon is dynamite for a wide range of display demands. We also included outline and drop-shadow ...
While we can’t comment of the suggested definitions for ‘tuggle’ that you might encounter online, we are happy to expound on Tuggle’s quirky and endearing characters. The gravity of its bellbottom ...
Firmin Didot is credited with establishing the Modern genre of serif typefaces, of which Beaux Arts Didots stands as an exemplary model. Like the French neoclassical architecture of its namesake, ...
Just as its eponymous ancestors graced vast Western vistas, Buffalo fills broad horizontal typographic topography with distinctive dignity. Buffalo’s migration across a visual landscape that ...
The aim of this typeface is to merge two historical moments in the form and style of writing, on the one hand calligraphy uncial, and on the other Roman serif was established as a universal standard ...
AMARETTO, inspired by classic structure of italics, as an original variation of vertical style. Ludovico Arrighi has given us the legacy of classical calligraphic structures that times later lays the ...