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ID , 'foundry' );
if (!empty($terms) && !is_wp_error($terms)) {
foreach ( $terms as $term ) {
$term_link = get_term_link( $term, 'foundry' );
echo "Publisher: " . $term->name . "";
} } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
ID ) ) . ' font" class="img-fluid">'; } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
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ID ) ) . ' font" class="img-fluid">'; } ?>
Azuza Font Family was designed by Jim Parkinson and published by Parkinson. Azuza contains 6 styles and family package options. In the 1990s I drew a text face for the San Francisco Chronicle. It was based on W. A. Dwiggins’ Electra and incorporated many features of the Linotype Legibility Series: more compact, with a taller lowercase X-height, etc. That typeface was called Electric — the Chronicle’s text face for nearly a decade, surviving several redesigns. Azuza is in the same vein but a more detailed and sensitive style. The TDC2 type competition recognized Azuza in 2001.
