Vincenzo
Vincenzo is based on a beautiful condensed typeface from the 1920s or earlier; original designer unknown. This is a "Modern" style with fine slab serifs, vertical stress between thick and thins, and ...
Vincenzo is based on a beautiful condensed typeface from the 1920s or earlier; original designer unknown. This is a "Modern" style with fine slab serifs, vertical stress between thick and thins, and ...
I must admit that I am not a big fan of the Art Nouveau style. However, I found this particularly beautiful alphabet and decided to use it as the basis for this new font. Very graceful, elegant, and ...
Minotaur is an original monoline design based on an Oscan (http://en.wikipedia.org/wiki/Oscan_language ) votive inscription from the second century B.C.E. The letterforms immediately caught my eye in ...
Warrior is a chunky typeface design inspired by a Russian Egyptian-style block alphabet (original designer unknown). Now available in seven weights (Hairline, Extra Light, Light, Medium, Regular, ...
Zuboni Stencil is a bold, uppercase typeface based on a Russian design from around 1920 (original designer unknown). Its extensive character set supports most European languages that use the Latin or ...
Progreso is a condensed, unicase, serif gothic type design inspired by the hand-lettering on Russian posters from the 1920s. Supports most European languages, including modern Greek and most ...
Zamenhof is a family of five fonts that can be used singly or in combination to create a variety of bold, yet elegant, display styles. Inspired by Russian hand-lettering that appears to have been ...
Syracuse is a font inspired by the typefaces of the "Arts & Crafts" designers of the early 20th Century. As such, it has a distinct "hand" look. In "Syracuse" you will find hints of Dard Hunter's ...
Presidio is a stylized version of the hand-lettered calligraphy typical of the Mission era of early California. This lettering was often unique to an individual hand, but the characters shared a ...
The Craftsman font is a faithful reproduction of the logo, or Title typeface used for Gustav Stickley's "Craftsman" Magazine, the foremost journal of the American Arts & Crafts Movement during ...
Batchelder Ruff is a "battered" version of the typeface used for titling in the catalogs and advertising of the Batchelder Tile Company in Pasadena, California in the 1920s. The original source ...
Stuph Light is a collection of drawings pulled from one of the many sketch books Steve Zafarana is always doodling in. Because they are in a font, the drawings can be used in font format or opened ...