Wellsbrook Initials SG
These four sets are based on the elegant and beautiful work of the German graphic designer Emil Rudolf Weiss. The initials were made to complement Weiss’ text fonts and were cast in the 1920s by the ...
These four sets are based on the elegant and beautiful work of the German graphic designer Emil Rudolf Weiss. The initials were made to complement Weiss’ text fonts and were cast in the 1920s by the ...
Veranda Poster was derived from a European art supply manufacturer’s logotype done in the Vienna (Wien) Austria style. This distinctive classic style was used by artists such as Julius Klinger and ...
Here’s what happens when your trusty felt tip marker takes a trip to cartoonland. Each of Valentina’s plump characters has a rough and splotchy texture. Some letters even bounce up and down like a ...
Every element in this typeface shouts tall and narrow, slender and provocative. With wispy delicate serifs attached to elevator-style vertical stems, Stratosphere’s only goal seems to be getting to ...
Motoring at top speed calls for your own high-performance machine and a special racetrack font to run it on. Speedway was built with blacktop smooth caps to ease you through those short and dangerous ...
Here is another classic design by Robert Hunter Middleton for the Ludow Foundry in 1940. Samson Classic is a very heavy display face with a wonderful medley of thick-and-thins. Developed just before ...
Here is a profoundly delicate and graceful design that has its roots in art deco fashion. This elegant typeface is based on an old 1930s lettering style popularized by Carl Holmes in his wonderful ...
Pacific Clipper has its roots in an old 1930s showcard lettering style. An extra bold version of this sign painter’s relic is shown in Carl Holmes' wonderful book on lettering. It may be described as ...
Willard T. Sniffin designed this extra condensed art deco typeface for American Type Founders in 1932. Low-waisted capital letters curve in stunning geometric fashion next to large, oversized ...
Narcissus Open is a heavy typeface designed by Walter Tiemann in 1921 for the Klingspor Foundry in Germany. It is a shaded wide roman using a very modest amount of white highlighting. Serifs are ...
This typeface appears to be straight out of a science fiction movie thriller. Mingo is a slightly condensed, somewhat vain gothic with thick vertical strokes proudly tapering downward. Capitals which ...
The revival of this 1932 classic design by W. Schwerdtner for the Stempel Foundry in Germany brings back the fashion and culture of those bygone days. Wedge-shaped vertical strokes are thicker at the ...