Surely You Jest NF
A late nineteenth-century type specimen catalog from Farmer, Little & Co. yielded this droll little typeface, originally called "Arbor". The distinctive decorations of the face suggested a fool's ...
A late nineteenth-century type specimen catalog from Farmer, Little & Co. yielded this droll little typeface, originally called "Arbor". The distinctive decorations of the face suggested a fool's ...
The 1907 Barnhart Brothers & Spindler type specimen catalog called this unique typeface simply "Umbra". Since that name is already taken, it now has another. Due to the highly ornate nature of ...
In his book Victorian Display Alphabets, Dan X. Solo called this specimen "Marquette". This unicase version features a complete character set, and is named after a favorite watering hole in Texas on ...
The book Modern Alphabets, published in 1930, called this diamond in the rough from Continental Typefounders Nova Bold. Well, it’s neither new nor modern anymore, but it’s a warm, friendly face ...
The inspiration for this typeface was found tucked away in what is arguably the worst book of advertising clip art ever published (cleverly entitled The Advertising Cartoon Clip Art Book from 1971). ...
Two handlettered typefaces from J. M. Bergling’s 1914 classic, Art Alphabets and Lettering collided to produce this lively and unusual combination. The caps were originally called "Morocco", and the ...
This graceful charmer is based on a Victorian-era typeface called "Romanesque". It takes its name from a cathedral in England considered by many to be the finest example of Romanesque architecture in ...
This typeface derives both its style and its name from a logotype design for an eponymous magazine, executed in the 1940s by Catalán type designer Joan Trochut Blanchard, of Supertipo Veloz fame. Its ...
This casual, carefree face is based on a showcard alphabet presented by Cecil Wade in his Manual of Lettering. Its extrabold weight, sketchy styling and playful letterforms make it perfect for ...
Here's another gem from Blandford Press' Pen & Brush Lettering and Practical Alphabets. Pleasant, playful and packed with personality, this typeface rocks.
J. M. Bergling called the inspiration for this typeface “modern”—at least, it passed for modern in 1914. Its bold, sinuous forms and unusual decorative treatment suggest stained glass of a certain ...
The pattern for this graceful, subtly modulated Art Deco typeface was designed by Willard T. Sniffin for American Type Founders in the 1930s. True to the original design, the Swash Caps version ...