Pomfrit Dandy NF
This elegant monocase design is based on a nineteenth-century offering from Britain’s Stephenson Blake Foundry named "Fry’s Ornamented No. 2". Stylish, witty and debonair, it will add grace and charm ...
This elegant monocase design is based on a nineteenth-century offering from Britain’s Stephenson Blake Foundry named "Fry’s Ornamented No. 2". Stylish, witty and debonair, it will add grace and charm ...
The 1912 American Specimen Book of Type Styles from ATF featured a quaint little offering called "Tabard", whose antique charm was enhanced by several rather quirky alternate characters. This version ...
Discovered in The Zanerian Manual of Alphabets and Engrossing was this quaint charmer, called simply "Italic Roundhand". The manual touts this face as plain, practical and rapid; it's lovely, ...
The Zanerian Manual of Alphabets and Engrossing, published in numerous editions since 1895, featured many elegant and elaborate script typefaces. However, it seems that, from time to time, ...
This rather quirky typeface is based on a design by Collette and Dufour, originally called "Independant", for the Maison Plantin foundry of Belgium. Ultramodern (by 1930s standards, at least) and ...
Based on a typeface named "Titania" from a 1930s specimen book from the Fundición Richard Gans in Madrid, this exquisite design will add a touch of elegance and nostalgic charm to any project it ...
This typeface was designed specifically for producing movie posters, as well as VHS and DVD packaging for them. The uppercase letters are ultracondensed, and the lowercase letters are small caps, ...
This typeface is patterned after the lettering produced by the Marsh Stencil Making Machine, which was an indispensable part of industrial shipping departments in the mid-twentieth century. The font ...
An unreleased typeface called "Aragón", designed by Enric Crous-Vidal, provided the inspiration for this decidedly retro face. It’s quite useful for distinctive and commanding headlines. Both ...
This quirky charmer is based on a typeface called "Les Catalanes", designed in 1952 by Enric Crous-Vidal for Fonderie Typographique Française. Appropriately, it is named for the king of quirky ...
Schrifti Alphabeti, a delightful collection of Cyrillic typefaces for posters from the former Soviet Union, strikes again, this time with a way-out West (Vladivostok?) theme. Extrabold, extra wide ...
A weathered and worn paint-and-neon sign for the Scialo Brothers Bakery in New York provided the pattern for this quirky, decidely Art Deco typeface. Chopped liver, it's not!