Shiver Me Timbers NF
Avast, me hearties! Here be a serious pirate font, based loosely on several of Victor Hammer’s uncial typefaces, designed between 1925 and 1953, and liberally weathered and corroded for that ...
Avast, me hearties! Here be a serious pirate font, based loosely on several of Victor Hammer’s uncial typefaces, designed between 1925 and 1953, and liberally weathered and corroded for that ...
The inspiration for this font made its first appearance in the 1897 American Type Founders specimen book, under the name "Lithotint". As the name suggests, the original was tinted gray (diagonal ...
This rugged rascal is based on at old ATF “original” design called “Hearst” (although Frederic Goudy claimed it was a pirated version of one of his designs). Its commanding, rough-hewn character ...
This typeface bears a superficial resemblance to Belwe Extrabold, but is based on a work called Thor, issued by Frederic Wesselhoeft Ltd of London in the 1930s. The characters in this font are ...
Introducing a series of decorative initials with a twist: each font contains two complete alphabets, A-Z, and numerous border elements in the numeral and shift-numeral positions. Classic, ornate, ...
The pattern for this delightful little font was originally released as Bernhard Heavy Antique Cursive by the Bauersche Geißerei of Frankfurt am Main and designed, of course, by Lucien Bernhard. ...
This typeface family includes Spanish Roman letters and “Griffo” style italics, both hand-drawn by Francisco Lucas in Madrid, 1577. The letters, sometimes slightly mismatched in size or off the ...
Although the pattern for this typeface, originally named Glenmoy, was released by Stephenson Blake in 1932, the letterforms can be more aptly described as pure 1950s retro. With beatniks, Brando and ...
The original characters, and now-rarely-seen alternate characters, for Memphis, designed by Emil Rudolf Weiss for American Type Founders in 1930, provided the pattern for this wispy, ultralight ...
A rather droll unicase typeface, discovered in a 1970s chapbook of suggested lettering for Soviet propaganda posters, inspired this bouncy beauty. Way more fun than a barrel of Volga Boatmen. The PC ...
In 1936, Erich Mollowitz designed a typeface named »Rheingold Kräftig« for the German type foundry J. D. Trennert & Sohn (Hamburg-Altona). The original letterforms have been extended and beefed up a ...
This robust, roly-poly typeface is patterned after a 1974 release from the Ludwig & Mayer foundry of Frankfurt am Main named Big Band, and designed by Karlgeorg Hoefer. The type color is even ...