Bully Pulpit NF
This engaging headline face is based on a rather pudgy typeface named "Bullion Shadow", which was originally released somewhere on the cusp between the hippie and disco eras, and was equally at home ...
This engaging headline face is based on a rather pudgy typeface named "Bullion Shadow", which was originally released somewhere on the cusp between the hippie and disco eras, and was equally at home ...
Handlettering on a 1929 brochure for the P&O British-India Steamship Line inspired this tiddly typeface. Art Deco sensibilities combine with a playful attitude to yield a delightful and amusing ...
An old favorite from the venerable Letragraphica series, named Yankee Shadow and designed by Tony Geddes, provides the pattern for this sporty font. For this version, the outlines have been beefed ...
An uncredited typeface discovered within the pages of Alphabete: Ein Schriftatlas von A bis Z named "Fat Cat" provided the pattern for this exercise in minimalist type design. Best used sparingly for ...
In 1910, Friedrich Wilhelm Kleukens designed the namesake for this typeface, which combines medieval letterforms with Art Nouveau sensibilites, for Bauersche Gießerei. Strikingly handsome and unique, ...
A whimsical semi-script typeface named Belcanto, designed by Edwin Sisty for Photolettering in the 1970s, provided the pattern for this typeface. Elegant and engaging, this face is sure to put a ...
Here’s a new take on an old favorite, the Lubalin-Carnase classic Fat Face. This version, intended for large headlines, cranks the original’s very high contrast up another notch. Both versions of ...
Every type library needs a generic, comicbook-style “POW!” font, and this one is ours. Breezy, bouncy and bold, it’s the perfect choice for rock-em, sock-em headlines. Both versions of the font ...
This “very elegant and British alphabet” was originally released in the 1920s as "Richmond Oldstyle" by the Blackfriars Type Foundry of London. Touted as highly artistic and graceful, it is ...
Gravure was designed by Morris F. Benton in 1927 for American Type Founders and was also released in 1929 by the London foundry of C. W. Shortt. This luminous face has a slightly naïve charm seldom ...
This quirky charmer appeared in the 1898 specimen book of the Cleveland Type Foundry, under the name of "Litho", so it's no mystery where it got its name. It's a perfect choice for engaging ...
Type designer Friedrich Poppl is perhaps best known for his classic text faces and elegant scripts, but it seems he had a playful side as well. This frisky face is based on Dynamische Antiqua, which ...