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Our penchant for banner types lives on. This one is our take on an 1880s font called Mezzotint. Banner fonts give the appearance of art work, without having to do any. We like that.
Our penchant for banner types lives on. This one is our take on an 1880s font called Mezzotint. Banner fonts give the appearance of art work, without having to do any. We like that.
We've always liked Art Gothic (you've seen it on the titles and credits for TV's Murder She Wrote) but felt it was far too animated for most uses. Here is our super-simplified version, a calmer font ...
We began with the Victorian font Dotted, so-called because the counters of many of the letters contained a dot. We knocked out the dots, added a lowercase, and voila! a more useful type than the ...
This is Solotype's alternative sans serif version of the once popular caps-only font Atlanta issued by the Central Type Foundry in St. Louis in 1885. As we often do, we have created a lowercase, ...
This popular type was manufactured by the Crescent Type Foundry of Chicago and sold on their behalf by a half dozen other foundries. Introduced in the early 1890s, just as tastes were swinging away ...
Wood type maker W. H. Page designed this in 1870. Caps, figures and points only. A great decorative for old-timey poster work.
Firm and resolute, the sharp, triangular wedge serifs of the new Aviano Wedge stamps your copy with the confidence of late 19th century luxury, wealth, and power. Indicative of banknotes and ...
We took a distressed-looking Victorian type called Cabinet and redesigned it with clean lines to make it more suitable for today's decorative work. Quite readable in all sizes.
Redrawn from a strange type originally made about 1850, and sold by the Connors Foundry, New York. We cannot guarantee that Connors originated it, since they were among the first to have facilities ...
Originally issued as Palm from the A. D. Farmer Foundry in New York, about 1887. This is a good early example of the transition from the ruffles and fluorishes of Victorian fonts to the more ...
This is a fake and a fraud and not a bad-looking type. We did this to imitate the look of an old wood poster font, but it is completely new. Don't tell anyone. Please note: no lowercase.
This is Solotype's version of a popular mid-nineteenth century style explored by several early foundries. It reads surprisingly well in paragraphs, and is a handy font for work with a Victorian theme.