Nadall
This stylish lightface was designed by Bernd Nadall for Barnhart Bros. & Spindler as a caps-only font in 1895. The lowercase was added at Solotype a hundred years later, resulting in a font quite at ...
This stylish lightface was designed by Bernd Nadall for Barnhart Bros. & Spindler as a caps-only font in 1895. The lowercase was added at Solotype a hundred years later, resulting in a font quite at ...
Many similar fonts existed in Europe around 1900 and a bit before. This one was made at the Wollmer Foundry in Germany and, except for adding the requisite modern monetary symbols and other such ...
A handsome German art deco design that fits in well with other types of the 1920s and 1930s. Originally without a lowercase, so we drew one for it, extending its usefulness.
This font was inspired by the lettering on a shop sign along a very classy shopping street in Bordeaux, France. There were similar styles among mid-nineteenth century types.
Once again we have added a lowercase to a caps-only type from late Victorian times. We made quite a few changes from the original to make words flow better.
A special effects font that forms headlines reversed on a background. Many different endpieces are furnished.
Another caps-only font for which we have designed a lowercase. It was originally brought out in smaller sizes for card work, but proved to be so popular that sizes up to 48 point were soon added.
An unusual angular vertical script. In late Victorian times it was seen mostly in advertising work, seldom in social stationery and announcements.
Curlicues galore on this modern version of a mid-victorian display type. We started with the caps from a type called Cellini, altered them considerably, and added a lowercase.
This is one of the Victorian standards for job printing issued by the Barnhart Brothers and Spindler Foundry about 1891. It looks old without being decorative, a good counterpoint to fancier types in ...
Another design inspired by Chinese characters, but with a somewhat less obvious treatment than many.
Each letter or character comes in two forms on this font: One as a complete disc, the other as a disc with a segment removed so the succeeding character can overlap the preceding one.