Julius Klinger
The Julius Klinger alphabets are extrapolated from lettering in a 1925 fabric advertisement drawn by Austrian poster designer Julius Klinger.
The Julius Klinger alphabets are extrapolated from lettering in a 1925 fabric advertisement drawn by Austrian poster designer Julius Klinger.
Golden Ticket is a digitization of hand-drawn poster lettering by Otto Heim from 1925. The regular style is meant to be used on its own, but the other three styles are meant to be used one on top of ...
Coldstyle is inspired by Old Style 1 from the 1935 Linotype catalog. It is a text font gently aged to capture the feel of old metal type, and includes "fi" and "fl" ligatures for old-fashioned ...
Impersonal is a detailed replica of letters appearing in "La Plume," a 1950s personal ads magazine. The magazine billed itself as "The correspondence medium devoted to the connoisseur of the ...
Hadank is a display typeface developed from hand-lettered words in a German printer's letterhead from the 1920s.
The Fred family is based on the casual hand lettering of Fred G. Cooper: cover artist, cartoonist, and letterer for Life magazine in the 1920s and '30s. His relaxed style captures the flavor of the ...
Inspired by the over abundance of cowboy-style fonts in signage while on vacation in Northern Minnesota. These fonts are interchangeable for an authentic hand-picked effect.
Sundae is a brush script drawn with a naïve hand-made twist. The flow of curves, contrast in stroke and variations in letter heights add a human touch while the consistency in design allows for ...
Ruby is a poster font with proud geometry and rounded terminals. With its roots in skateboard graphics it is young, fresh, strong and confident. Ruby comes with two complimentary styles for adding ...
The serifed companion to the popular Billy family comes in 3 very different but complimentary weights that when combined create a very strong, playful and persuasive style.
A decorative, maze-like multi-line typeface in two weights. Lower case is narrow, upper case is wide, the two can be mixed to give a variety of bold, dynamic effects.
A display typeface, a didot in upper case only, but with a set of decorative alternate characters mixing semi-cyrillic and lower case influences.