Lil’ Diddles One
Aliens, toys, lawn ornaments and more.
Aliens, toys, lawn ornaments and more.
Spumoni plays freely off of the typeface Bodoni. Though commercial lettering is becoming a disappearing craft, Spumoni provides this hand-drawn quality in a digital medium. Its bouncy, playful ...
Manito was designed by Garrett Boge in 1989. He employed a wide pen and angular, sturdy forms to simulate rough-hewn woodcut letters. The font, consisting of both capitals and small caps, provides an ...
Jackalope is a new original script font from LetterPerfect Fonts. The design is a hybrid of pressure-pen calligraphy infused with whimsy and curlicue terminals. Letterforms are free-spirited and ...
Corporative Soft is the slightly rounded-edged version of Corporative. This font has a marked personality and distinctive traits, which makes it suitable to be used at large text sizes. At the same ...
Axiforma was designed with the single idea of creating a font that starts with the letter A, because let's face it, this is the best letter. For those of you who didn't see it coming, Axiforma is a ...
Based on informal pen handwriting. A set of Western and Central European characters was added in 2011 by Gennady Fridman. For use in advertising and display typography.
Based on informal pen handwriting. A set of Western characters and two bold weights were added in 2011 by Gennady Fridman. For use in advertising and display typography.
The typeface was designed by Gennady Baryshnikov. Bold Italic is based on Flash typeface, 1939, by Edwin W. Sharr. Additional styles were developed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov ...
Designed at ParaType in 1995 by Tagir Safayev. Based on informal handwriting (caps-only). For use in advertising and display typography.
Designed for ParaType in 1995 by Tagir Safayev. Based on informal handwriting. For use in advertising and display typography.
Designed at ParaType in 1995 by Tagir Safayev. Based on informal handwriting. Formerly known as PT Tagir. For use in advertising and display typography.