NixRift
Influenced by W.A. Dwiggins’ El Dorado, Rift reclaims some of the warmth of metal type pressed deep into paper.
Influenced by W.A. Dwiggins’ El Dorado, Rift reclaims some of the warmth of metal type pressed deep into paper.
Fleurons are embellishments and here is my third and so far nicest round. I found some old ones in London and made them more modern ones. These go very well with my scripts Nadine and Ellida and a ...
Floralissimo are flowery embellishments that I found in several old publishing books dating back over a hundred years. I thought they might be useful for some of you, so I digitized them. Your ...
Liquoia are three scripts with lots of contrast and different embellishments. Liquoia-A has the elegant, flaming decoration it blends well with Fleurons-Six. Liquoia-B has the flowery embellishments ...
Diaconia Old Style is a new rendition of my workhorse body copy font that I originally designed to use for the body copy of "Printing in a Digital World." I became increasingly upset with the lack of ...
This new OpenType pro family has four members so far with 588 characters and glyphs each. It is a redrawing of Diaconia Old Style, which has been worked hard and found to be very readable, elegant, ...
Ardone is a well-modulated humanist serif font family with Garalde roots. A distant ancestor is Minister (a German font designed by Fahrenwaldt in 1929) through my first font, Diaconia Old Style. ...
Garalde: the word itself sounds antique and arcane to anyone who isn’t fresh out of design school, but the sort of typeface it describes is actually quite familiar to all of us. Despite its age—born ...
Cycles was designed for use in books and other publications with lengthy texts and/or complex typography using different sizes of type. Different versions of Cycles have been designed which are ...
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally designed by Frederick Goudy for the original Life magazine, circa 1908. Because of delays in production, the face was ...
Designed by Les Usherwood. Digitally engineered by Steve Jackaman.
Based on the early original Monotype design, you can definitely see the influence of Italian Old Style, Jenson and Morris’ Golden Type.