Sarabande
Sarabande is a painstaking reproduction of Jean Jannon's famous "Garamond" of 1621 -- also known as "Caracteres de l'universite." Whereas the original was intended for setting French and Latin text ...
Sarabande is a painstaking reproduction of Jean Jannon's famous "Garamond" of 1621 -- also known as "Caracteres de l'universite." Whereas the original was intended for setting French and Latin text ...
New Millennium Linear is one of three font families that share a common name, a common design philosophy, a common x-height, and basic character shapes. (The others are New Millennium and New ...
Diorite is modern face built on classical letterforms -- but left with a bit of residual roughness. Some might call Diorite forthright, others brutal. (It reminded the designer of the dark, hard ...
El Franco is a family designed by Ethan Dunham that represents what Roman lettering looked like in the 16th century. Derived from a typographic sample of Francisco Lucas, 1577, this font captures the ...
Tribute is a typeface by German type designer Frank Heine. This is Heine’s fourth release with Emigre Fonts. Remedy, released in 1991, was a major commercial success. Its curlicue, free-style, comic ...
The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so ...
In the early 1960s, the German Master Printers’ Association requested that a new typeface be designed and produced in identical form on both Linotype and Monotype machines so that text and technical ...
Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the Old Face font Garamond. What is accepted is the influence this font had on other typeface developments ...
Linotype Compendio is a part of the Take Type Library, chosen from the contestants of the International Digital Type Design Contests from 1994 and 1997. Christian Bauer designed this font based on ...
In this design prepared for Weber in the 1950s, Georg Trump breaks selected curves to separate his work from conventional oldstyles.
Based on the series of Claude Garamond romans shown in the Egenolff-Berner specimen sheet printed in 1592, this design is a good sharp cut; it suffers from very short descenders made to fit it on the ...
Another Garamond in the Jannon tradition, this one designed by Francesco Simoncini and W. Bilz.