legible

Majorant

Majorant is a geometric sans serif interpreted from a contemporary point of view. Its wide range of weights makes it a multipurpose family. The extreme weights work as a display typeface, from the ...

legible

Approach Mono

Approach Mono is the fixed width version of Approach. A utilitarian low contrast font, a bit mechanical but plenty of character. This version shares its main features with the original ...

legible

Inklination

Inklination is a new grotesque that goes against the 'genre rules' and has a low x-height. It breathes quite better than larger x-height typefaces, with the sensation of air and more ...

legible

Geogrotesque Sharp

Geogrotesque Sharp is a superfamily of seven widths and 99 styles, that puts together the work of a decade. Some design aspects has been simplified but without losing its soul, we have removed ink ...

legible

Realgar

Realgar is a generic and neutral typeface but with enough personality to be different, but not as much to be unfamiliar. The name refers to an ancient natural pigment, known for its vivid orange ...

legible

Nobodi

This Bodoni-like font sets out to slightly square off rounded shapes, adding a very slight curve to the join from the square serif and stem, and minimizing and softening the pronounced bulbs found in ...

legible

Vecta

I think it is one of our most useful fonts in that it doesn't draw much attention to itself while it is quite refreshingly different. Almost all shapes in Vecta are rounded to provide a friendly ...

legible

Cyan

The design of Cyan was inspired by features found in classic Roman and styles like Trajan and Bodebeck. It shows the designer's personal preference for geometric Roman proportions while incorporating ...

legible

Atto Sans

I set out to design a contemporary font that is condensed with thick and thin strokes. The highly structured forms of this condensed font was made more interesting and softer by giving it a slightly ...

legible

Atto Serif

I set out to design a contemporary font that is condensed with thick and thin strokes. The highly structured forms of this condensed font was made more interesting and softer by giving it a slightly ...

legible

Oslo

Oslo is an understated sans with subtle qualities that make it appropriate for many applications. It is simple, clean and very legible.

legible

Marcus

Marcus, the font, was named after the Roman Emperor Marcus Ulpius Traianus (Trajan) born 18 September 53 in the Roman province of Hispania Baetica (in what is now Spain), a province that was ...