Copper Penny
By no means a cheap spinoff of a great original, the Copper Penny family is a completely revamped tribute to Frederic W. Goudy's venerable Copperplate Gothic. After much attention and care, this ...
By no means a cheap spinoff of a great original, the Copper Penny family is a completely revamped tribute to Frederic W. Goudy's venerable Copperplate Gothic. After much attention and care, this ...
Stella is sans serif designed for text use. Especially suited for use in small sizes. It has an humanistic flow, but not too much. The italic are rather narrow compared with the upright. It includes ...
CastleType was commissioned in 1991 by San Francisco Focus magazine to digitize three members of the Standard family. This is a Continental lineale that was popular in Switzerland in the 1950s and ...
"If you're in need of a sophisticated sans serif font, look no further than type designer Jason Castle’s Carisma" (Paul Shaw in HOW magazine). Carisma, a CastleType Original, combines the elegance of ...
Taking the concept of a monoline version of Shàngó — as exemplified in Shàngó Gothic — to its extreme, resulted in the latest addition to the popular Shàngó family of typefaces: Shango Sans. This is ...
Sonrisa is a design that evolved from my sketches of the skeletal structure of Jakob Erbar’s Koloss, trying to discover its underlying essence without all the contrast and bulkiness of the original ...
Abitare Sans was originally commissioned by the group Rizzoli Corriere della Sera. It’s a typeface of 30 weights designed to be used in Abitare magazine. The request of the president Mario Piazza was ...
Lucilee is a full featured, OpenType script font from Michael Clark. It is a sweeping italic with many alternates, including ligatures, beginning and ending swashes, and a full Central European ...
A loosely-written, slightly irregular but very legible handwriting style. Useful for the personal touch on menus, advertisements, greeting cards, flyers etc.
It was the original work of fifteenth century designer Nicolas Jenson that formed the basis for this roman serif style developed by Ernst Detterer in 1923. Similar in spirit to other early twentieth ...
This design is one of the true gems to come out of the 1930s typeface era. Even though the face was originally designed to counter the invasion of European sans-serifs, it remains faithful to the ...
Here is an extremely efficient and uncluttered typeface that you can use in a variety of situations. Memorandum’s orderly and methodical nature makes it a natural for long blocks of text, for ...