TheSerif
TheSerif is part of the Thesis superfamily. Although it was conceived to be the perfect secondary font within the Thesis system – for use in headlines, subheads, pull quotes, etc. – TheSerif has also ...
TheSerif is part of the Thesis superfamily. Although it was conceived to be the perfect secondary font within the Thesis system – for use in headlines, subheads, pull quotes, etc. – TheSerif has also ...
TheSans is a modern classic. A favourite for corporate design, editorial design and new media, it comes in an astounding range of widths and weights, including a large set of hairline fonts.
Sun is a family of compact typefaces closer to old industrial-style American newspaper headlines than to Luc(as)’s other designs. The fonts also work in text, and have been used for corporate ...
Koning transports high-contrast sans serifs into the present. Koning is the Dutch for king. Given the design’s elegance, this name should come as no surprise. It has been recognized with numerous ...
Although the Taz family was designed for newspapers, it works equally well in many other contexts. The fonts have been used in glossy magazines, sales catalogues and corporate brochures, for ...
This special newstext version of TheAntiqua was developed in close collaboration with the Berlin newspaper Die Tageszeitung (taz). Its sturdy forms were optimized for newspaper stock. This font ...
This typeface, designed by Max Miedinger and other project members at the Haas’sche Schriftgiesserei, has become one of the most famous and popular typefaces in the world, thanks to the marketing ...
Marconi was created by Hermann Zapf in 1973. According to Gerard Unger, it was the world's first digital typeface. Zapf’s design was developed as a text face for books and magazines. The round forms ...
Linotype Boberia is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest. Designed by Bo Berndal, its historical roots lie in the ...
Zoran Kostik began designing the Just Square font family in 1999, based on a logo that his son, an art student, had designed. The design project grew until Kostic had designed eight weights, for both ...
Palatino Sans Informal was designed as part of a group of three font families: Palatino nova, Palatino Sans, and Palatino Sans Informal. Together these three families act as the fulfilment of Herman ...
Aeron started with a no-nonsense geometric sans-serif structure that grew into a functional semi-serif family of fonts. Half-rounded slabs mix with curvy and squared-off terminals for a personable ...