Bigfoot
Bigfoot is the fattest font ever made. It began as a simple exercise given to students in a design course: Most people don't appreciate type because they don't really know what it actually is. One ...
Bigfoot is the fattest font ever made. It began as a simple exercise given to students in a design course: Most people don't appreciate type because they don't really know what it actually is. One ...
Driver Gothic is based on the typeface used for Ontario license plates. Although unique among Canadian provincial license plates, this face is very similar to, if not outright identical with, the ...
In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the ...
In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the ...
Taboo is a versatile font family inspired by the magnificent geometric experiments made by Armenian lettering artist Fred Africkian during the late 1970s. Virtually unknown in the west, Africkian was ...
Archie is a wide attention-grabber based on a simple geometric alphabet drawn in the early 1930s by Dutch calligrapher and lettering artist Martin Meijer. This digital family expands considerably on ...
This is the one and only Neil Bold, designed by Wayne Stettler in 1966 and originally published as a Typositor typeface. An award-winner and instant celebrity upon its release, Neil Bold became ...
A year after the tremendous success of Memoriam in the "Lives They Lived" issue of the New York Times magazine at the end of 2008, Patrick Griffin and Nancy Harris Rouemy teamed up once more to ...
Designed in 1928 by Alessandro Butti under the direction of Raffaello Bertieri for the Nebiolo foundry, Paganini defies standard categorization. While it definitely is a classic foundry text face ...
It’s big. It’s very big. Spade is a double whammy of pure slab footprint, sharp and soft, cowboy and cowgirl, country and western, shot and chaser, settlement and new frontier. It’s also quite modern ...
Gala is a digitization, correction, and major expansion of a typeface called Neon, designed by Giulio da Milano and published by the Nebiolo foundry in 1935. Neon came in two weights, along with a ...
Lincoln Electric started its life as an in-house experimental film type Thomas Lincoln drew shortly after concluding his work as part of Herb Lubalin’s famed crew in the late 1960s,. The master ...