Textype
Developed from Ionic No.5, this type is the first of Chauncey Griffith’s Linotype Legibility series to be designed for general use, although it achieved (and retains) popularity as a newspaper text ...
Developed from Ionic No.5, this type is the first of Chauncey Griffith’s Linotype Legibility series to be designed for general use, although it achieved (and retains) popularity as a newspaper text ...
Giambattista Bodoni (1740–1813) was called the King of Printers and the Bodoni font owes its creation in 1767 to his masterful cutting techniques. Predecessors in a similar style were the typefaces ...
Before designing this font, C.H. Griffith consulted the results of a survey of optometrists regarding optimal legibility. Excelsior was then presented by Mergenthaler Linotype in 1931 and remains one ...
Decreasing width of the American newspaper web led to narrower news columns, and a demand for a more condensed typeface. Reaction from the quiet texture of Excelsior suggested a stronger contrast, ...
A slightly more refined revival of the Fat Face, as supervised by Chauncey Griffith at Mergenthaler one year after ATF’s Ultra Bodoni.
Bookman, a little lighter than the original, is the ATF version of Phemister’s Antique Old Style, introduced as a textface at the turn of the century.
Designed specifically for AT&T to set telephone directories by Chauncey Griffith at Mergenthaler in 1938, Bell Gothic was the standard American directory typeface for forty years. Limited in ...