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Dime Museum

This idea of "wrong way weights" was originally called French Clarendon by the Americans, Italienne by the French, and American by the Italians. Sounds like nobody wanted to own up to it. When it was ...

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Dangerfield

The Barnhart Bros. & Spindler foundry put out a caps-only face called Dante. We liked it, but felt it needed a lowercase. The result here is a rather nice square design, which has become a personal ...

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Dainty Lady

You will see this in the old type catalogs as Dainty. Late in the nineteenth century, type founders developed a number of fonts with a "pen-drawn" look. They wanted to complete with the work of the ...

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Crossroads

This was a patented design, so we know who designed it and when. August Will was a type cutter who sold his work to a number of foundries. We worked over this design to open up the space between the ...

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Cognac

Many years ago, we bought a bunch of proofs that had apparently come from the defunct Van Loey-Nouri foundry in Belgium. Cognac was an incomplete alphabet among them, which we completed. Just a ...

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Cleopatra

Here's a great old face from the H. W. Caslon foundry in London; a real workhorse. The lowercase is eminently readable, so you can set entire paragraphs to good effect. We don't recommend it for ...

blackletter

Cathedral

This font was designed as an experiment in simplfying the Blackletter. We never showed it in the Solotype catalog, so it didn't get much use.

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Brussels

The Stephenson Blake foundry in England, made two fonts, Flemish Expanded and Flemish Condensed. In our view, one was too wide, the other too narrow; so we redrew it and renamed it Brussels. Why not? ...

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Brevet

Authentic copy of the original, with a couple of minor changes to the caps, making them fit better. Although made for the American market by an American typefounder, we found this font in a York, ...

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Beijing

One of the many Solotype experiments in developing fonts with an ethnic flavor, this one is a bit less obvious than most. The lowercase seems to work well.