Standing Stones
Redrawn from a strange type originally made about 1850, and sold by the Connors Foundry, New York. We cannot guarantee that Connors originated it, since they were among the first to have facilities ...
Redrawn from a strange type originally made about 1850, and sold by the Connors Foundry, New York. We cannot guarantee that Connors originated it, since they were among the first to have facilities ...
Originally issued as Palm from the A. D. Farmer Foundry in New York, about 1887. This is a good early example of the transition from the ruffles and fluorishes of Victorian fonts to the more ...
This is a fake and a fraud and not a bad-looking type. We did this to imitate the look of an old wood poster font, but it is completely new. Don't tell anyone. Please note: no lowercase.
This stylish lightface was designed by Bernd Nadall for Barnhart Bros. & Spindler as a caps-only font in 1895. The lowercase was added at Solotype a hundred years later, resulting in a font quite at ...
Many similar fonts existed in Europe around 1900 and a bit before. This one was made at the Wollmer Foundry in Germany and, except for adding the requisite modern monetary symbols and other such ...
A handsome German art deco design that fits in well with other types of the 1920s and 1930s. Originally without a lowercase, so we drew one for it, extending its usefulness.
This font was inspired by the lettering on a shop sign along a very classy shopping street in Bordeaux, France. There were similar styles among mid-nineteenth century types.
Once again we have added a lowercase to a caps-only type from late Victorian times. We made quite a few changes from the original to make words flow better.
A special effects font that forms headlines reversed on a background. Many different endpieces are furnished.
Another caps-only font for which we have designed a lowercase. It was originally brought out in smaller sizes for card work, but proved to be so popular that sizes up to 48 point were soon added.