High
High is defined by a set of simple ideas, or constraints. A non-geometric, humanist shape. A monoline weight. Stencilled, with a horizontal or vertical cut only, the stencil gap consistent — so ...
Quair
The typeface that became Quair was originally planned as an extension of our Oban typeface. As it developed it became different enough to be a stand-alone, but connected typeface. Quair mixes ...
Ano Angular
Ano Angular was originally designed for a fashion company. It was to be used as a headline type, half way between the logo we had designed — made up of straight lines only — and our circle-based Ano ...
Vertical
Alias Vertical is a sans serif typeface with a vertical cut-off point for letter endings. The vertical cut-offs bend round characters (b, c, o, etc) into a squarish, high-shouldered shape, suggesting ...
Schism Three
Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting ...
Schism One
Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting ...
Schism Two
Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting ...
Aspic
Asperity, Asphalt and Aspic, were designed for Another magazine issues 18 and 19, A typeface in three versions, Hard, Soft and Script, three typefaces with the same character shape, where hard is ...