legible

Supra

»Supra« – designed by Gert Wiescher in 2012/13 – is a new sans typeface family of eight weights with matching italics. Supra is influenced by current and past sans typefaces, but has a completely new ...

legible

Supra Condensed

»Supra-condensed« – designed by Gert Wiescher in 2013 – is the condensed version to this new sans typeface family of eight weights with matching italics. The condensed version is designed for ...

legible

Supra Extended

Supra Extended – designed by Gert Wiescher in 2013 – is the extended version to this new sans typeface family of eight weights. The extended version is designed for sheer elegance and has no italics ...

legible

Supra Mezzo

»Supra Mezzo« – designed by Gert Wiescher in 2012/13 – is an unusual addition to the Supra family, a weight in between the normal and the condensed width. This cut comes in very handy if you need to ...

legible

Supra Compressed

"Supra-compressed" – designed by Gert Wiescher in 2013 – is the extreme version of this family. But despite it being very slim it is still – because of its openness – a very readable font. The light ...

script

Felicita

Felicità is based on the design of my »Ellida« font-family. It was designed with »happiness« in mind. Therefore I used extremely high contrast between the down- and upstrokes, this gives the fonts a ...

Dylan

»Dylan« is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 7 ...

legible

Supra Demiserif

»Supra Demiserif« is the demi serif addition to the Supra family. I am no fan of slab serif fonts, so I designed this one with half serifs, that makes the serifs less important. Then I found, that ...

modern

Guilloche B

»Guilloche B« is a set of graphics that join with each other to form very sophisticated, op-art-like borders. Try them on lots of different assignments, they form very surprising bands or patterns.

Dylan Condensed

Dylan is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 8 ...