Zapf Renaissance Antiqua SB

Zapf Renaissance Antiqua SB

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and ...

URW Grotesk

URW Grotesk

URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German ...

URW Antiqua

URW Antiqua

URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German ...

Sistina

Sistina

Sistina is a trademark of Heidelberger Druckmaschinen AG, which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of ...

Palatino

Palatino

Hermann Zapf’s first popular typeface, based on his own elegant calligraphy, effective in text and display, carrying little trace of the Trump Mediaeval eccentricities.

Kompakt

Kompakt

Kompakt is one of the early typefaces of type designer Hermann Zapf, whose Palatino has long been a standard in almost every area of application. Kompakt consists of a single weight and was designed ...

Melior

Melior

A twentieth century modern face commissioned by Stempel and designed by Hermann Zapf in 1952; it is based on his thoughts about the squared-off circle known as the super-ellipse. The type was ...

Aurelia

Aurelia

The design for Aurelia is based on the forms of Jenson, an Old Style typeface developed by Nicolas Jenson in 1470 which still influences type design today. Zapf gave Aurelia a bit of his own personal ...

Optima

Optima

Many typefaces are distinctive or attractive at the expense of legibility and versatility. Not so the Optima® family. Simultaneously standing out and fitting in, there are few projects or imaging ...

Marconi

Marconi

Marconi was created by Hermann Zapf in 1973. According to Gerard Unger, it was the world's first digital typeface. Zapf’s design was developed as a text face for books and magazines. The round forms ...

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