https://inteligencialimite.org/2024/08/07/ev9ilfdc Poster Paint is a fun shocard alphabet which came about from Jim Rimmer’s admiration of Goudy Stout, a design he liked in spite of the fact that Goudy himself claimed to detest it. Extremely ...
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Order Xanax Online Cod Alexander Quill was originally designed in the early 1980s to be cut in 14 point for casting into foundry type for the setting and printing of limited edition books at Pie Tree Press, Jim Rimmer's ...
https://solomedicalsupply.com/2024/08/07/fnyi1ek Though Zigarre can easily be categorized a brush script, Jim Rimmer actually drew it using a big marker. Jim’s original face, inspired by inter-war German poster lettering, was a rough one, with the ...
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https://polyploid.net/blog/?p=ghafyspw Cotillion is an original design Jim Rimmer finished just before the turn of the century. Alongside its evidence of Jim's nostalgia at the deco type designs he was exposed to as a child, it distinctly ...
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https://eloquentgushing.com/ohk9t9wa Named in tribute to the members of the American Typecasting Fellowship, this font is an original expression of Jim Rimmer's left-handed calligraphy. It was designed and cut in 24 p in the early ...
https://www.psicologialaboral.net/2024/08/07/5qdpu0u Drawn shortly before Jim Rimmer's passing in 2010, Loxley was designed to be used in a fine press edition of the folklore story of Robin Hood. It was named after the cited birthplace of the story's ...
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Isabelle is the closest thing to a metal type revival Jim Rimmer ever did. The original metal face was designed and cut in late 1930s Germany, but its propspects were cut short by the arrival of the ...
https://foster2forever.com/2024/08/3p3vlz826.html When type historians look back on Jim Rimmer, they will consider him the last type designer who just couldn't let go of metal type, even though he was just as proficient in digital type. Lancelot is ...
https://nedediciones.com/uncategorized/e84c4w4q4ij Originally released in 2008, Stern is the only typeface to be produced and marketed simultaneously in digital and metal. In the twenty-first century, no less. It is also the last typeface Jim Rimmer ...
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Lapis was Jim Rimmer's venture into a territory he'd earlier explored with his Lancelot and Fellowship faces. This time he stayed much longer, dug pretty deep, and had plenty of fun in there. The end ...
