Paper Caper NF
This typeface is an amalgam of two cut-paper typefaces, as presented by Margaret Shepherd in her book, Calligraphic Alphabets Made Easy. Also included are a glue bottle at the bar position, and ...
This typeface is an amalgam of two cut-paper typefaces, as presented by Margaret Shepherd in her book, Calligraphic Alphabets Made Easy. Also included are a glue bottle at the bar position, and ...
This font features a complete uppercase alphabet, including accented characters, as well as numbers and standard punctation. Lowercase characters are an assortment of useful dings and things. To ...
Here's another mosaic marvel from the New York subway system, to complement Midtown Tessie. This style is based on signage at the 34th Street station, with connections to Brooklyn. A full tile ...
Tucked inside the November 5, 1927 issue of a German signpainters' trade paper was a single sheet headed Der Schilder und Schriftenmaler, which featured an alphabet called "Neue Fraktur". An ...
Something about the swoopy loops in the uppercase characters of this typeface, originally called "Ronde", reminds one of the signature 'do of a certain real-estate-mogul-turned-TV-celebrity, and so ...
An old Art Nouveau typeface named "Daphne" provided the inspiration for this decidely different font. This version is upright, but the linocut treatment employed visually suggests the slight ...
The letterforms are based on Inserat Cursive, a bold script popular in the late nineteenth century; the treatment was suggested by cover artwork for Graphic Styles from Victorian to Post-Modern, ...
Here's a handy collection of 72 type adornments gleaned from American Type Foundry catalogs from 1913 to 1934, featuring little treasures from some of the early twentieth century's most respected ...
A random scan from a late nineteenth-century German type specimen book, encountered on the internet, provided the pattern for this surprisingly contemporary face. Although all of the characters are ...
Avast, me hearties! Here be a serious pirate font, based loosely on several of Victor Hammer’s uncial typefaces, designed between 1925 and 1953, and liberally weathered and corroded for that ...