Kandinsky NF
While strolling through the Phillips Collection in Washington, DC, I came across a delightful painting by Wassily Kandinsky entitled “Succession”. Many of the forms seemed to me typographic so, of ...
While strolling through the Phillips Collection in Washington, DC, I came across a delightful painting by Wassily Kandinsky entitled “Succession”. Many of the forms seemed to me typographic so, of ...
This elegant unicase uncial face is based on a work by German type designer Ernst Engel from 1927.This typeface masterfully combines Art Deco sensibilities with medieval letterforms, and is suitable ...
An unusual handlettered alphabet from the 1922 chapbook Modern Show Card Writing, by Joseph Bertram Jowitt, provided the pattern for this whimsical face. Its letterforms, as well as its name, conjure ...
Lettering in a 1923 ad for Piera Nova, designed by Hernando G. Villa, inspired this delightful Deco offering. Like its namesake, this font is a talented teller of tales, both elegant and ...
Here's a new take on an old dry-transfer standard from the 70s named Barrio. This unicase version features several handy ligatures not found in the original typeface, which will substitute in ...
A 1930s ad for—believe it or not—Orion radios provided the inspiration for this ultrabold and slightly sassy face. The radio brand didn't make it into the twenty-first century, but its ...
A 1931 poster for the film The Man from Chicago provided the pattern for this quirky Deco delight. Although the fonts is all uppercase, tasty variants have been added in the lowercase positions, and ...
This typeface is an amalgam of Edwardian and Art Deco letterforms: the lowercase letters come from a turn-of-the-twentieth-century typeface named Amsterdam, and the uppercase letterforms come from a ...
Lettering on a 1933 booklet about certain facilities in Italy -- can you guess what they might be? -- by the Bertarelli Design Studio of Milan inspired this decidedly different and engaging monocase ...
Here's a nifty single-stroke marker font based on the work of Mike Stevens, long-time contributor to Signcraft magazine. Clean, crisp and stylish, it's the perfect choice for appealing subheads. This ...