Pony Xpress NF
The 1885 specimen book of the Palmer and Rey Type Foundry of San Francisco featured the inspiration for this typeface under the name Courier. This version has been thoughtfully designed to use ...
The 1885 specimen book of the Palmer and Rey Type Foundry of San Francisco featured the inspiration for this typeface under the name Courier. This version has been thoughtfully designed to use ...
This snappy little number was inspired by a PLINC typeface by Murray Fuchs called Erwin, which has been redrawn and improved for the digital age. Use Contextual Alternates to "bounce" the text, and ...
The 1918 specimen book of the Miller and Richard Type Foundry of London and Edinburgh featured this endearing typeface. Both versions of this font include the complete Latin 1252 and Central European ...
Originally called Bohemian in the 1918 specimen book of the Miller and Richard Type Foundry of London and Edinburgh, this Jugendstil typeface still retains its freshness and quaint charm. Both ...
A typeface named, simply, Geometric, from the 1885 Cleveland Type Foundry specimen book, has been beefed up a bit and softened with round serifs to create this everything-old-is-new-again gem. Both ...
Discovered within the pages of a turn-of-the-Twentieth-Century specimen book of the Società Nebiolo of Turin, Italy, was this little gem, which shows both antique and Art Nouveau influences. Both ...
This bouncy beauty was inspired by Walnetto Casual, designed by Dave West for Photo-Lettering, Inc. in the 1970s, and takes its name from a mythical West Texas beastie. This version has been ...
This pseudo-Egyptian fantasy originally was named Karnac, and was unearthed in the pages of the 1888 American Type Founders Specimen Book. This version derives it name from a continuing character ...
This pair of typefaces get their inspiration from the perennial logotype face for Archie comics. The Best Gal Betty version features plain caps, and the Best Gal Veronica version features swash caps. ...
Fire the retro rockets! Here's a decidedly different take on techno type, patterned after Robert Williamson's Program 32 from the 1970s. Despite its machine-readable pretensions, it renders ...