Bellucci
Bellucci is the redesign of Ramiro Espinoza's first typeface, Mabella. Being not happy with the original design, he decided to redraw it completely and add 3 new weights. Bellucci is a ...
Tomate
Tomate started in 2006 as a brush lettering exercise for a poster and was later used for the ReType identity. In 2008 its author decided to turn it into a super fat typeface suitable for packaging ...
Lavigne
Lavigne is a type family that is aimed at publications such as interior design and women’s magazines—anywhere a touch of distinction is desired. In the opinion of its designer, glossy magazines have ...
Winco
Winco family can be labelled a humanist sans-serif, but in spirit it is more closely related to that rather rare typeface category called ‘glyphic’ or ‘incise’. While conceiving Winco, Ramiro ...
Krul
‘Krul’ is a typographic interpretation of the lettering style created by Dutch letter painter Jan Willem Joseph Visser at the end of the 1940s, which decorated the traditional brown bars of ...
Dulcinea
Dulcinea is the title of Ramiro Espinoza’s in-depth look at Spanish Baroque calligraphy’s most extreme tendencies, and especially at some of those produced by the writing masters Pedro Díaz Morante ...
Medusa
Beautiful is Ramiro Espinoza’s homage to 19th Century Catalonian pointed pen calligraphy. The starting-off point in the creation of the typeface was an analysis of the historical models of formal ...
Laski Slab
"Laski Slab is a comprehensive suite of 20 fonts conceived for editorial purposes. The type family was designed by Paula Mastrangelo, an Art Director with extensive experience in editorial design ...
Laski Sans
In 2014 Paula Mastrangelo presented her first type family, Laski Slab. Over the last year, Ramiro Espinoza worked to expand the system and the outcome was Laski Sans, a refined humanistic sans ...