St Atmos
St Atmos was the first commercial typeface of Stereotypes, the first of what’s likely to become a significant collection of headline fonts. The massive ink traps at Atmos give this typeface something ...
St Atmos was the first commercial typeface of Stereotypes, the first of what’s likely to become a significant collection of headline fonts. The massive ink traps at Atmos give this typeface something ...
St Transmission was one of the first ambitious projects for Stereotypes. Building a complete family with a lot of weights along with the italics. Transmission supports extended Latin character set, ...
St Lorie is inspired by handmade lettering in logos, but it was drawn completely by the digital method.
St Mika is big, black and beautiful. A little bit clumsy, Mika has his very own style of serifs and letterforms, making him very unique. If you want to yell or scream at someone, Mika is not your ...
St Ryde is a humanistic sans-serif with a slight touch of a script typeface. The most significant aspect of the typeface is the combined sharp and round treatment of the stroke endings. The complete ...
St Friska, based on old movie title lettering, is made just for headlines. It comes with a slight touch and feeling of art deco but it’s designed to be contemporary in 2010 and beyond. Friska comes ...
Prism was mainly inspired by two things, the sketches of Rudolf Koch for Prisma and the proportions of Avant Garde by Herb Lubalin. Even when the proportions and widths stay the same from ExtraLight ...