Magion
Magion is a simple geometric sans, ideal for magazine headlines, logotypes, way-finding systems, and of course large billboards which need to make a great impact. Its tall x-height and strong, open ...
Magion is a simple geometric sans, ideal for magazine headlines, logotypes, way-finding systems, and of course large billboards which need to make a great impact. Its tall x-height and strong, open ...
Fishmonger originated from a commission of two fonts for the corporate identity of a fishmonger shop. When sketching the elementary principles for the lettering, the idea for a modern, extensive font ...
The Atrament font family was originally conceived in 2003 as the corporate display type family for Suitcase Type Foundry. Its original source of inspiration is the front cover of the Devetsil - ...
In 1955 the Czech State Department of Culture, which was then in charge of all the publishing houses, organised a competition amongst printing houses and generally all book businesses for the design ...
From today's point of view Katarine has a rather unusual origin. Initially an all-caps display face, what was to become the Medium weight of the family was augmented with a lower case, then the ...
Orgovan is based on calligraphic script models lettered with a flat brush, which have been a mainstay in the sign makers' and display artists' handbooks since the beginning of the 1960s. Careful ...
The motivation behind the Botanika family was the desire to create a text version of the Magion font. Although the glyphs were originally drawn using the same proportions, they were subsequently ...
Dederon Serif has been specifically designed for book setting. Preliminary sketches were drawn in 2004. Its inspiration — particularly its weight and width proportions — can be traced to ...
Dederon Serif has been specifically designed for book setting. Preliminary sketches were drawn in 2004. Its inspiration – particularly its weight and width proportions – can be traced to the Liberta ...
Typographer and graphic designer Pavel Teimer (1935-1970) designed a modern serif roman with italics in 1967. For the drawing of Teimer he found inspiration in the types of Walbaum and Didot, rather ...