Elephant
A contemporary interpretation of grotesque (historic) typestyle, relying on geometric shapes applied to a grid. Idiosyncrasies within the typeface are based on how this grid is constructed and ...
August
Almost a straightened italic typeface, August explores the idea of taking italic and script letterforms out of context and creating a typeface with a mix of references that does not look like too ...
Aminta
Aminta is an eclectic and expressive take on the Courier aesthetic. Aminta mixes the utility aesthetic of Courier, the default computer typeface and subversive piece of non-design graphic designers ...
Oban
Originally drawn as a rebranding proposal for a fashion house, Oban takes inspiration from Thorowgood types and from sample books of wood cut fonts from the late nineteenth century, with their ...
Lily
As with all our typefaces, we are searching for a point of difference, something that separates them from their surroundings. The idea of a seriffed script typeface is interesting, as the two are ...
Asphalt
Asperity, Asphalt and Aspic, were designed for Another magazine issues 18 and 19, A typeface in three versions, Hard, Soft and Script, three typefaces with the same character shape, where hard is ...
Cactus
A compressed, subtly eclectic typeface.
Ano
A typeface designed for Another Man magazine. A simple geometric, monoline framework allowed for a stylistic consistency over three variations. Regular - a ‘standard’ alphabet; Upper Lower - where ...
Sabre
I generally refer to our typefaces as ‘graphic’ rather than typographic. By that I mean their starting points are usually ways of constructing shapes and systems of shapes. As with other Alias ...
Capo
The intention with Capo was to make a typeface with a pinched, angled connection between curves and verticals. We have explored this incised, cut motif previously on typefaces, most notably Noah, ...