modern

Paganini

Designed in 1928 by Alessandro Butti under the direction of Raffaello Bertieri for the Nebiolo foundry, Paganini defies standard categorization. While it definitely is a classic foundry text face ...

funny

Wonder Brush

Wonder Brush is a display typographer's guilty pleasure. It's one of very few fonts ever made that can take intense abuse and still look natural. Partly based on a 1969 Friedrich Poppl design called ...

modern

Spade

It’s big. It’s very big. Spade is a double whammy of pure slab footprint, sharp and soft, cowboy and cowgirl, country and western, shot and chaser, settlement and new frontier. It’s also quite modern ...

funny

Louis

Louis is a faithful digital rendition and expansion of a design called Fanfare, originally drawn by Louis Oppenheim in 1927. Redrawn digitally by Rod MacDonald, and engineered in-house by Canada ...

Wagner Round

This is the rounded, softer version of Canada Type's popular Wagner Grotesk. Originally done in 2011 for a global publisher, this font has already seen plenty of magazine and book cover action, ...

Soft Press

This is the rounded, softer version of Canada Type's popular Press Gothic. Originally done in 2011 for a global publisher, this font has already seen plenty of magazine and book cover action, perhaps ...

King Wood

King Wood is a gothic wood type with a Tuscan flair. Equally at home in the west or the east, it manages to take reference of its ancestors in forging an identity of its own. King Wood is a great ...

Garalde

Aragon Condensed

The condensed version of Hans van Maanen's Aragon is a headline star. The elements that made Aragon a popular "Dutch Garamond" text repeat here, with the slight stress shifts and tapering stems ...

Monte Cristo

Monte Cristo picks up where Libertine left off, then makes a great leap forward to attain its luxuriously seductive personality. With a minimum of 4 variations on the uppercase letters, and up to 38 ...

Tabarnak

Tabarnak started out as an assessment and correction of an old concept by George Wilkens. The original idea was for a bold upright alphabet reminiscent of Oz Cooper’s work, but ornamented with some ...