Totemic
Jim Rimmer’s first typeface was originally published in 1970 as a basic film type alphabet through a small, independent type house in central California. Its sources of influence (now calligraphic ...
Jim Rimmer’s first typeface was originally published in 1970 as a basic film type alphabet through a small, independent type house in central California. Its sources of influence (now calligraphic ...
This is the redrawn and expanded version of an alphabet Rebecca Alaccari made back in 2009 as a bespoke font for a tourism agency looking to recapture the appeal of New Orleans after the hurricane ...
Cadmus Pro is the newly remastered and greatly expanded version of a Jim Rimmer design based on a type originally done by hand lettering artist Robert Foster. Foster’s type, named Pericles, was ...
Bunyan Pro is the synthesis of Bunyan, the last face Eric Gill designed for hand setting in 1934 and Pilgrim, the machine face based on it, issued by British Linotype in the early 1950s — the most ...
Over the past couple of decades, the many applications that joined print as media requiring design solutions have combined to necessitate a visual evolution that favours controlled optical geometry ...
The Colville fonts began their existence in 2015 as a project-specific typeface, made to be used on a custom-made headstone commemorating Canadian artist Alex Colville (1920-2013) and his wife Rhoda ...
In the late 1930s, old Egyptiennes (or Italiennes) returned to the collective consciousness of European printers and type houses — perhaps because political news were front a centre, especially in ...
Gala is a digitization, correction, and major expansion of a typeface called Neon, designed by Giulio da Milano and published by the Nebiolo foundry in 1935. Neon came in two weights, along with a ...
The Salden fonts are our tribute to the man who was dubbed the face of the Dutch book, and whose work is considered essential in 20th century Dutch design history. Helmut Salden’s exquisite book ...
Lincoln Electric started its life as an in-house experimental film type Thomas Lincoln drew shortly after concluding his work as part of Herb Lubalin’s famed crew in the late 1960s,. The master ...