Stadia
Stadia is designed around a series of modular units: quartercircles, teardrop shapes, squares, circles and variations thereon. The versatility of these basic shapes is such that a teardrop, for ...
Stadia is designed around a series of modular units: quartercircles, teardrop shapes, squares, circles and variations thereon. The versatility of these basic shapes is such that a teardrop, for ...
Rayguns on stun! A retro science fiction font that evokes a golden age of intergalactic pulp adventure.
Ritafurey is an extended sans in seven weights, with characteristic low bowls on the P and R. Modern, sleek and corporate, but with a dash of character. It has been used on tech logos, summer ...
The capitals of Register share a similar construction to Morris Fuller Benton’s 1930 Bank Gothic for American Type Founders, but iron out the broader curves and add ‘ink traps’ to emphasise the ...
Paralucent is versatile all-purpose modern sans. Available in seven weights, from Thin to Heavy, and in two widths each with corresponding italics, it avoids some of the more eccentric calligraphic ...
Lusta plays with the interchangeability of an inline and an outline, negative and positive space. Often one single character will epitomise the design of a font, and here the S served as the ...
Yolanda, a family of three weights each more florid than the last.
Xenotype is an examination of heavy horizontal weighting and develops ideas underlying 60s and 70s headline faces.
A space-age headline font, Telstar explores a computer-readable sci-fi aesthetic based on an obround lozenge pierced with off-centre holes; the left-right weight switch derives from early optical ...
Straker is named after the beige Nehru-collared commander in Gerry Anderson's masterpiece, UFO.