Fine Gothic Light
Fine Gothic was designed by Michael Harvey and published by Fine Fonts. Fine Gothic contains 3 styles and family package options.
Tisdall Script
Tisdall Script is based upon the brush-drawn script lettering of Hans Tisdall, who was the designer of many distinctive lettered book jackets for Jonathan Cape in the 1950s. Michael Harvey, also a ...
Songlines
Songlines is based upon a pen-drawn script drawn by Michael Harvey to illustrate a poem by Johannes Thurman. The expressive and rough-edged letterforms of Songlines do not have any lowercase ...
Marceta
Marceta is based upon the uncial & half-uncial scripts of the fourth to eighth centuries. The font has been designed with different capital and lowercase characters which can be intermixed to give ...
Fine Gothic
Fine Gothic was developed over several years, and was partly inspired by the blackletter fonts of the great 20th century calligrapher and lettering designer, Rudolf Koch. Although blackletter has ...
Balthasar
Balthasar is a very distinctive, stencil-type display font. Its letterforms originally appeared on a lettered book jacket by Michael Harvey. Its highly condensed letterforms being very economic in ...
Aesop
Aesop was developed from some book jacket lettering drawn by Michael Harvey for an edition of Aesop’s Fables by a master Japanese Artist. It is based upon a pen-drawn script, and is characterised by ...
Victoriana
Victoriana arose from an inquiry from the Victorian Society for a Victorian font for their journal. As it turned out, no commission resulted, but interest in such a font was aroused in Andy Benedek. ...
Ruskin
The origin of Ruskin was a commission for Michael Harvey to design a signage font for the Dean Gallery in Edinburgh. The style of the letterforms was to complement the period of the building which ...
Frieze
The origin of this font was a frieze in the RAF Chapel in Westminster Abbey which Michael Harvey was commissioned to design and create. It was comprised of the names of the top brass in wartime ...