Flax JY

Flax JY

David Philpott was inspired by the flax growing on the side of the motorway out of Wellington, New Zealand, and crafted this very distinctive, natural typeface family based on the plants.

Artemis JY

Artemis JY

Mark Geard’s Artemis is a contemporary humanist sans serif. Its flourishes and unusual cuts give the typefaces huge distinctiveness—yet they remain highly legible. Glyphs begin with something that ...

Aetna JY Pro

Aetna JY Pro

JY Ætna was designed originally by Francesco Griffo in 1495, and appeared in a book by Cardinal Bembo the following year. The typeface was re-created by Jack Yan in 1994, in time for its 500th ...

Decennie JY Pro

Decennie JY Pro

JY Décennie has been designed for both the web and print. Essentially applying the principles of newspaper typefaces, attention has been paid to the Windows versions of the family to ensure clarity ...

Decennie Express JY Pro

Decennie Express JY Pro

JY Décennie Express was developed as a sans serif workhorse complement to JY Décennie. The basic roman design shares characteristics, and in some cases, characters (e, o, and others) with the serif ...

Yan 333 Pro

Yan 333 Pro

JY&A’s most distinctive calligraphic font, Yan Series 333 is usable at all resolutions and remains legible. Even though it has a strong calligraphic influence, the Yan Series is ideal for text ...

Tranquility JY Pro

Tranquility JY Pro

A tranquil and formal serif type family, JY Tranquility is ideal for text applications. It is based on Renaissance type forms.

Pinnacle JY Pro

Pinnacle JY Pro

JY Pinnacle is a distinctive text family, with at least 3,100 kerning pairs (for text fonts) and collections of alternative characters for roman, italic and cap and small cap. Pinnacle has an ...

Integrity JY Pro

Integrity JY Pro

Because of the need for a new condensed serif font family, Jack Yan created this individualistic style of typefaces complete with one of the largest collections of unusual ligatures available at the ...

Dandy JY

Dandy JY

Danielle Smith describes her friendly, hand-drawn typeface family, available in roman and italic, as ‘non-élitist and accessible’. Originally created for a theatre project at Massey University, Dandy ...

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