Lapidary Capitals
Based on Roman lapidary writing from 2nd century BC.
Based on Roman lapidary writing from 2nd century BC.
Designer RD was created in 1999, at the same time as Just Square and Why Square typefaces, and envisioned to be their rounded alternative. Zoran based the font on the logotype his son Nikola made and ...
Battleslab is a slab serif made for setting few words in large sizes. Two heavily contrasted weights work well when combined, with its mono-line wide light and heavy black it is perfect for making ...
The name of the font is chosen to suggest its main purpose—setting multiple pages of text. All the features in this family were made with that in mind—legibility, distinct italics, small caps and ...
Kostic Serif is a classic transitional typeface (like Baskerville, Bookman, Caslon, Times) with tall, clean characters and a large glyph set to support all European languages - Greek and Cyrillic ...
In December 2013 two new weights - Thin & Ultra (with Italics) were added to the set, Small Caps included! The intention was to make a technical-looking sans with a warmer feel to it, balanced ...
Breakers is a sans serif originally conceived to be a display typeface. Works great in text also, but the diversity in weights is its strong point. It is easy to achieve that high contrast using thin ...
Breakers Slab is a companion to sans serif Breakers. It’s a versatile typeface that is strong in headlines and legible in text, with a range of distinct weights from delicate thin to chunky ultra. ...
The name “Bicyclette” was chosen because this typeface is all about balance and elegance. The idea was to create a highly contrasted sans-serif family carefully balanced between gentle curves and ...
Briller is a super-wide display sans that covers 6 weights, from delicate Thin on one side to chunky Ultra on the other end. Briller tabular figures (via the OT feature) and most of figure related ...