LTC Fournier Le Jeune
Based on the all caps decorative face Fournier le Jeune of 1768 by Pierre Simon Fournier for the Peignot Foundry. This version uses more elaborate "Vouge Initials" caps which were offered by ATF in ...
LTC Creepy Ornaments
In researching historic decorative material offered by Lanston Monotype as well as other metal foundries such as Barnhart Brothers and Spindler, there were occasionally ornaments that defied ...
LTC Broadway
Originally designed by Morris Fuller Benton for ATF in 1927, Sol Hess added a lower case in 1929. Hess also drew Broadway Engraved in 1928 for Lanston Monotype. Broadway has become somewhat of a ...
LTC Bodoni 175
Giambattista Bodoni created this modern typeface in 1790 which served as the structural model for Sol Hess’s faithful rendition. Hess made necessary adjustments for mechanical typesetting on ...
LTC Holiday Ornaments
Assembled for those less commercialized holidays, LTC Holiday Ornaments features over 80 printers' ornaments from Lanston Monotype and other historical foundries such as BBS and ATF. Holidays include ...
LTC Record Title
Record Title was designed by Frederic Goudy in 1927 as a proprietary commission for the Architectural Record magazine. Based on classic Roman letter proportions, Goudy considered this one of his most ...
LTC Keystone Ornaments
LTC Keystone Ornaments is a set of over 100 glyphs based on "running border" ornaments from Keystone Type Foundry of Philadelphia, circa 1903. These geometric dingbats can be used individually for ...
LTC Goudy Ornate
Goudy Ornate (also known as Ornate Title) was designed in 1931 by Frederic Goudy. He states "It is a simple, decorative face that has been used by some good presses for use on title-pages where size ...
LTC Goudy Open
Goudy Modern/Open was designed by Frederic Goudy, who was inspired by the caption of a French engraving. It is Goudy's first attempt at a "modern" face, but with less contrast and rigidity normally ...
LTC Goudy Modern
Goudy Modern/Open was designed by Frederic Goudy, who was inspired by the caption of a French engraving. It is Goudy's first attempt at a "modern" face, but with less contrast and rigidity normally ...