Linotype Vision
Linotype Vision is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. Created by German designer Dan-André ...
Linotype Centennial
Centennial appeared in 1986 in honor of Linotype’s 100th birthday. The roman and light cuts of the font are reminiscent of the Century typeface, particularly on that of Linn B. Benton and Morris F. ...
Linotype Konflikt
Linotype Konflikt is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Designer Stefan Pott was inspired by the conflict ...
Impacta
Linotype Impacta is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Dutch artist Marc Lubbers designed Impacta ...
Smaragd
Smaragd is a light and gracious font especially appropriate for titles and cards. It is Gudrun Zapf von Hesse’s interpretation of Baroque adornment engravings. Smaragd is clear and festive, ...
Linotype Venezia
Linotype Venezia Initiale is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by German artist Robert ...
Sinah Sans
Linotype Sinah is part of the Take Type Library, selected from the contestants of Linotype’s International Type Design Contests of 1994 and 1997. Designed by the German artist Peter Huschka, Linotype ...
Linotype Humanistika
Humanistika was designed in 1997 by Hellmut G. Bomm after the humanistic italics used in the lettered arts at the beginning of the Renaissance. Its classic calligraphic design is available in two ...
Linotype Tapeside
Linotype Tapeside is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. British designer Stephan B. Murphy ...
Auriol
This type, released by Peignot in 1901, was based on the handwriting of the art nouveau painter and designer, Georges Auriol. The Peignot drawing office insisted on a more normal appearance in the ...