Luba

Luba

Luba is a multi-script text family designed by Hendrik Moeller. The family includes four weights: Light, Regular, Medium, and Bold. Each of these fonts may be purchased with both Latin and Cyrillic ...

DIN Next

DIN Next

DIN has always been the typeface you root for—the one you wanted to use but just couldn’t bring yourself to because it was limited in its range of weights and widths, rendering it less useful than it ...

Opal

Opal

Opal Pro is a text family designed by Hannes von Döhren in 2008. It gives every text a noble character. The typeface has long ascenders that clearly rise above the capital letters and a low x-height. ...

Neue Haas Grotesk

Neue Haas Grotesk

The first weights of Neue Haas Grotesk were designed in 1957-1958 by Max Miedinger for the Haas’sche Schriftgiesserei in Switzerland, with art direction by the company’s principal, Eduard Hoffmann. ...

Stevens Titling

Stevens Titling

Stevens Titling refers to the classic Roman alphabet as it appears on the Trajan column and numerous other monuments. With its realistic brush strokes, it shows the letterforms as they might have ...

Trade Gothic Next

Trade Gothic Next

In 1948, Mergenthaler Linotype released the first weights of Trade Gothic, designed by Jackson Burke. Over the next 12 years Burke, who was the company’s Director of Typographic Development from 1948 ...

Akko

Akko

The Akko typeface family is the first new design from Akira Kobayashi in a very long time - and it is well worth the wait. Picture an industrial strength typeface like the Isonorm™ design. Now blend ...

Quench

Quench

Quench is a fun and unique typeface from designer Hannes von Döhren. It is unmistakably characterized by its strong contrast of inside and outside forms. The counters are nearly straight and have ...

Vesta

Vesta

In the late 1990s Gerard Unger won the assignment to design the signage system for the Holy Year celebrations to be held in Rome in 2000. The system he developed in cooperation with the design agency ...

Linotype Aroma No. 2

Linotype Aroma No. 2

Linotype Aroma No.2 appears straightforward in form, completely sans serif, yet with a trace of humanistic features that gives it that extra edge.

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