Agilita
Created by German designer Jürgen Weltin, Linotype’s Agilita is a contemporary humanist sans serif family with a wide variety of weights, including both ultra thin hairline options and heavier, dark ...
Created by German designer Jürgen Weltin, Linotype’s Agilita is a contemporary humanist sans serif family with a wide variety of weights, including both ultra thin hairline options and heavier, dark ...
Aeris™ typeface is a contemporary book face created by the American designer Tom Grace. It combines the proportions and rhythm of a sans serif font with the high contrasts and flexed strokes of ...
Univers Next Arabic is designed by Lebanese designer Nadine Chahine as a companion to the Latin typeface Univers Next and with the consulting of Adrian Frutiger. It is a modern Kufi design with large ...
Hermann Zapf and Akira Kobayashi redeveloped Palatino for the 21st Century, creating Palatino nova. The Palatino nova family also includes revised versions of Aldus (now called Aldus nova). A bold ...
The German Standards Committee suggested the light Neuzeit-Grotesk’ font in 1970 for use in official signage, traffic directional systems, etc. The typeface had been designed by Wilhelm Pischner and ...
For decades, the Persian-born Naghi Naghashian has been working as a graphic designer and illustrator in Germany. Arian™ is his first commercial Arabic typeface. Named after his mother, Naghi created ...
Hamada is a script typeface based on the powerful work of English calligrapher Gaynor Goffe. Hamada captures looseness and charming irregularities of the pen on the page, allowing ink to edge out ...
The name DIN refers to the Deutsches Institut für Normung (in English, the German Institute for Standardization). The typeface began life as the DIN Institute's standard no. DIN 1451, published in ...
ITC Veljovic Script was designed by Jovica Veljovic and displays an obvious calligraphic heritage. The designer was strongly influenced by German designer Hermann Zapf and Israeli designer Henri ...
The font family Univers is one of the greatest typographic achievements of the second half of the 20th century. The family has the advantage of having a variety of weights and styles, which, even ...