Tiny Bubbles NF
Here’s another gem pulled from the pages of one of the many editions of Pen and Brush Lettering by the Blandford Press. Cascading bubbles add a somewhat 70s feel to a distinctly Deco font, and ...
Here’s another gem pulled from the pages of one of the many editions of Pen and Brush Lettering by the Blandford Press. Cascading bubbles add a somewhat 70s feel to a distinctly Deco font, and ...
This double-wide wonder is based on Oswald Cooper’s original drawings for the typeface Cooper Fullface. ATF rejected this offering because they felt that several of the letterforms, and particularly ...
This sometimes-top-heavy, sometime-bottom-heavy, sometimes-centered typecase is based on an old Photolettering face designed by the irrepressible Dave West, originally called "Nickelodeon". That name ...
The 1905 Barnhart Brothers & Spindler catalog featured an ultrawide face called "French Antique Extended". The letterforms have been faithfully rendered here, but this font’s kerning calls for a lot ...
A sign in a London storefront, ca. 1930, pitching—surprise!—Smart Frocks provided the visual cues for designing this typeface. Singularly stylish, hip and haughty and decidedly Deco, this is the ...
A Japanese design firm called Maniackers put together a typeface design in 2001, which they called Snail. This typeface is based on that design, with a few tasty modifications and some ...
A 1990s-vintage Radiohead poster by Jermaine Rogers provided the go-by for this tight, trippy techno face. Jermaine's design, it turns out, was an adaptation of a Ray Larabie font, Dignity of Labour. ...
Here’s another offering based on the work of Alf Becker, long-time contributor to Signs of the Times magazine. This only comes from the 1940s, and is a light and bouncy single-stroke face that’s sure ...
Handlettering on a piece of sheet music from 1903 was the inspiration for this little whimsical wonder. The font features a very sinuous S and teddy-bear bookends in the {brace} positions. This font ...
This delightful dervish is based on handlettering from a 1928 poster for a steamship line by renowned British artist Austin Cooper. It’s essentially a monocase font, with the exception of the letter ...