Odalisque NF
Here’s a revised and updated version of one of my oldies, based on the typeface Chic, designed by Morris Fuller Benton. The addition of small caps, improved kerning, and an expanded character set ...
Neubank NF
The Neubank family builds on the firm foundation of Bank Gothic, a twentieth-century classic designed by Morris Fuller Benton for ATF, and adds a fluid, dynamic lowercase that makes it right at home ...
Chromium Yellow NF
The Chromium Yellow family is based, very loosely, on Electro-type Serif, designed by John Wu of Hong Kong’s Archetype foundry. The rather quirky serifs have been removed and a few odd letter ...
Warp Three NF
This face is a bit of a time traveler. It combines the lowercase from a font called simply Square Gothic from the 1888 James Conner’s Sons specimen book with the uppercase of Morris Fuller Benton’s ...
Jungle Fever Shaded NF
Here’s a different take on my face Jungle Fever, patterned after Neuland Black, originally designed by Rudolph Koch for Gebr. Klingspor in 1923. A “sunrise” shading pattern has been employed to add ...
Hess Gothic Round NF
The family tree of this friendly face runs deep. Its primary inspiration is Twentieth Century, designed by Saul Hess as a monoline version of Paul Renner’s Futura. The design was reinterpreted by ...
Velveteen Round NF
This fresh face takes a number of design cues from Tomás Vellvé Mengual's eponymous design for Barcelona's Neufville Type Foundry in 1971. This version softens many of the lines of the original, and ...
Steno Stout NF
This yeomanlike typeface features the letterforms of the venerable Underwood Victoria typewriter on steroids. The original monospacing has been generally preserved, but the letters have been ...
Turista Flaca NF
This Art Deco-inspired face is based on the Baltimore Type Foundry’s Tourist Extra Condensed. Graceful and elegant, this typeface’s compact design also packs a lot of information into very little ...
Mono Amono NF
Here’s a techno typeface with a difference. Its monoline stroke and sharp terminals are softened by rounded corners, and its perceptual monospaced widths have been subtly altered and strategically ...