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This “Anglican” style typeface is based on an 1880s release from St. Louis’ Central Type Foundry originally named Euclid. It’s amazingly versatile, easily at home in both formal and fun settings. All ...
This “Anglican” style typeface is based on an 1880s release from St. Louis’ Central Type Foundry originally named Euclid. It’s amazingly versatile, easily at home in both formal and fun settings. All ...
Here’s a simple, classic hand-lettered gem, based on an old photoface named Adonis. Suitable for headline or text use, it’s a refreshing and lively alternate to Comic Sans. All versions of this font ...
This unusual Gothic face was found in the 1882 McKellar, Smiths and Jordan specimen book under the name Borussian, a then-current variant of “Prussian”. This version is true to the original, so ...
The pattern for this face was designed by Will Bradley in 1894 for the cover of Inland Printer magazine, and was licensed the following year to American Type Founders. Its classic lines and condensed ...
This elegant titling face is based on an American Type Founders release from the 1920s named Sterling. Hairline serifs and graceful curves give this typeface a certain grace and charm that will ...
Here's an offering from the Blackfriars Type Foundry of London that's perfect for commanding headlines. The letterforms have been carefully kerned for a tight fit to increase the visual color of this ...
Morris Fuller Benton's 1917 typeface named Invitation provided the pattern for this elegant and endearing face. Classic Engravers Roman style caps are exquisitely balanced with a sinewy lowercase, ...
This quaint headline typeface is based on an offering from the Cleveland Type Foundry, originally named Oxford. The centered small caps treatment makes for unusual and alluring headlines. All ...
Emil Rudolf Weiss's eponymous Rundgotisch of 1937 provided the pattern for this streamlined version of classic German blackletters. All versions of this font include the Unicode 1250 Central European ...
This quaint charmer is based on the original, 1913 antique version of Georg Belwe's eponymous classic. Equally suitable for headlines and text, this face is welcome in any setting. All versions of ...