Tinseltown NF
Suitable for headlines, subheads and short copy blocks, this decidedly Deco number is based on Willard T. Sniffin’s Hollywood, designed for American Type Founders in 1932. A few of the fussier ...
Suitable for headlines, subheads and short copy blocks, this decidedly Deco number is based on Willard T. Sniffin’s Hollywood, designed for American Type Founders in 1932. A few of the fussier ...
An extremely low midline marks this offering, based on an “elegant” alphabet found in Samuel Welo’s chapbook, Lettering: Modern and Foreign, published in 1930 by Frederick J. Drake and Company. ...
This elegant face with a few semi-script flourishes is based on Morris Fuller Benton’s Announcement Roman, designed for American Type Founders in 1917. It’s perfect for invitations, programs and all ...
Morris Fuller Benton’s Eagle, designed for ATF in 1934, which did yeoman-like duty on many WPA posters of the time. This version, unicase as was the original, has been designed to set tight, so that ...
A Victorian face named Oakwood provided the pattern for this decorative little number, with its swirls and curls guaranteed to delight boys and girls, saints and churls, and dogs and squirrels…well, ...
Based on the 1932 typeface Newport, designed by Willard T. Sniffin for ATF, this Art Deco standard packs a lot into multi-line heads and subheads due to its very short descenders, cleverly ...
This workmanlike typeface is based on the Metro series, designed by William Addison Dwiggins in the 1930s for the Mergenthaler Linotype Company. Its clean lines and balanced color make it suitable ...
Another tip of the hat to the halcyon days of woodtype, this cap-small cap typeface takes its name from the bustling Mexican metropolis just across the Rio Grande from Brownsville, Texas. Both ...
An unnamed scroll typeface featured in the 1869 MacKellar Smiths and Jordan specimen book provided the pattern for this font. You may begin and end the scrolls with parentheses, braces or brackets, ...
Here's an Art Deco classic with a bit of an edge. This typeface is based on a somewhat less refined but more energetic version of Broadway, designed by Morris Fuller Benton for ATF in 1928, ...