Arizona Airways NF
A 1947 timetable for—who’d a-thunk it?—Arizona Airways provided the pattern for this unusual, yet endearing, face. Its Art-Deco-meets-Apache vibe ensures that your headlines will be warmly received. ...
A 1947 timetable for—who’d a-thunk it?—Arizona Airways provided the pattern for this unusual, yet endearing, face. Its Art-Deco-meets-Apache vibe ensures that your headlines will be warmly received. ...
Logotype lettering from 1896 for the Italian confection company Talmone provided the inspiration for this curvy, cuddly face. Warm up your headlines today with this antique charmer. Both versions ...
Eponymous logotype lettering on an airline timetable from 1948 inspired this exercise in aerodynamics. This typeface’s streamlined design remains fresh, even sixty-plus years on. Both versions ...
Here's a retooling of the Art Deco classic Novel Gothic, designed by Morris Fuller Benton and Charles H. Becker for American Type Founders in 1929. We've added a little sparkle to this classic with a ...
This distinctive titling face is based on Elegant Lichte, designed by Hans Möhring for D. Stempel in 1928, with the helpful addition of a lowercase not found in the original. It functions equally ...
This rough-hewn offering is patterned after Antikva Margaret, designed by Zoltán Nagy for VGC in the mid-60s. Its energetic and, at times, eccentric letterforms make this face a perfect choice for ...
Alpha Midnight, reconstructed from an unnamed source by Dick Pape for Solotype, provided the pattern for this big, bold, unconventional stencil face, sure to grab your readers' attention. Both ...
Eh, what's up, Doc? This cuddly little oddball of a typeface was originally released under the rather unlikely name of Hercules by the Amsterdam Typefoundry in 1926. This face includes OpenType ...
Put the kettle on and break out the biscuits. This no-nonsense stencil face is a faithful recreation of Tea Chest, released by the Stephenson Blake Type Foundry in 1939. Its bold strokes and slender ...
Deutsch Black, designed by Barry Deutsch for VGC in 1966, provided the inspiration for this extrabold exercise in heavy ink coverage. A number of variants, in lowercase slots, were added to offer ...