Koralle NF
This typeface made its first appearance in Schelter & Giesecke's 1915 specimen book. It exhibits the cleanness and crispness one might expect in a sans-serif face, along with a few unexpected grace ...
This typeface made its first appearance in Schelter & Giesecke's 1915 specimen book. It exhibits the cleanness and crispness one might expect in a sans-serif face, along with a few unexpected grace ...
This stately typeface takes its inspiration from Erbar Medieval, designed by Jakob Erbar for the Ludwig & Mayer foundry of Frankfurt am Main, released in 1914. Equally at home in headlines or text ...
A typeface from the 1873 Miller & Richard of Glasgow specimen book of 1873 named Cuban provided the inspiration for this festive face. Its graceful curves and open stance gently whisper nostalgia, ...
The inspiration for this typeface—originally called Elefanta—enjoyed popularity stateside in the late nineteenth century, an import from the Karl Brendler & Söhne foundry of Vienna. Its graceful yet ...
Here's a faithful rendering of a typeface originally named Octic, from the 1884 specimen book of the Palmer & Rey Type Foundry of San Francisco. Its geometric severity is softened by the gently ...
Theater posters of the 1930s were often exuberant exercises in Art Deco lettering sensibilities, and the handiwork which inspired this typeface is no different. Big, bold and oddly elegant, this face ...
This typeface takes most of its design cues from Isonorm, developed by the International Standards Organisation in Switzerland in 1980. In this version, the overall design has been homogenized to ...
A new series of eclectic decorative initials, Capital Ideas 1 NF features numbers and uppercase letters rendered in nixietube displays, along with a whimsical walk through the alphabet patterned ...
The 1900 specimen book of the Leipzig foundry Schelter & Giesecke featured this curious hybrid of blackletter and Art Nouveau, under the name Petrarka. Its narrow footprint and large x-height ...
The Hunt Brothers, penmen extraordinaire, presented the pattern for this face as Upright Ornamental, it's a little loopy and a whole lotta fun. Both versions of this font support the Latin 1252, ...